100 ideas that changed art

Cave and rock art

Fired clay

Land as material

Statue

Wall painting

Scaling up

Narrative

Relief carving

Body as surface

The nude

Contrapposto

Propaganda

Lost-wax carving

Paper

Memorial

Architectural sculpture

Word as image

Colored glass

Frame

Icon

Making books

The grotesque

Erotic art

Handwriting

Mosaic

Multi-panel painting

Miniatures

Oil paint

Window on the world

Mathematics

Linear perspective

Trompe-l'oeil

Color codes

Allegory

Portrait

The sketch

Mirrors

Printmaking

Chiaroscuro

Anatomy

Still life

Copying

Canvas

Camera obscura

Reinventing Greek art

Landscape

Series

Collections

History painting

Whiteness

Academies

Romanticism

Authenticity

The artist

Watercolor

Confronting reality

Medievalism

Dealing

Capturing the instant

Assemblage

Commercial design

Paint in tubes

Photography

Art colonies

Artificial light

The unconscious

The primitive

Multiple viewpoints

Collage

Machine forms

Abstract art

Satire

Found objects

Kinetic art

Scenes of daily life

Installation

Expressing inner states

Plastics

Protest

Documentary

Chance

Shock

Welding

Pop

Less is more

Opticality

Hallucinogens

Performance art

Personal is political

Moving images

Conceptual art

Titles

Body as medium

Street art

Globalization

Digital technology

Museum

Negative space

The internet

Ephemerality.

Introduction -- No. 1. Cave and rock art -- No. 2. Fired clay -- No. 3. Land as material -- No. 4. Statue -- No. 5. Wall painting -- No. 6. Scaling up -- No. 7. Narrative -- No. 8. Relief carving -- No. 9 .Body as surface -- No. 10. The nude -- No. 11. Contrapposto -- No. 12. Propaganda -- No. 13. Lost-wax casting -- No. 14. Paper -- No. 15. Memorial -- No. 16. Architectural sculpture -- No. 17. Word as image -- No. 18. Colored glass -- No. 19. Frame -- No. 20. Icon -- No. 21. Making books -- No. 22. The grotesque -- No. 23. Erotic art -- No. 24. Handwriting -- No. 25. Mosaic -- No. 26. Multipanel painting -- No. 27. Miniatures -- No. 28. Oil paint -- No. 29. Window on the world -- No. 30. Mathematics -- No. 31. Linear perspective -- No. 32. Trompe-l'oeil -- No. 33. Color codes -- No. 34. Allegory -- No. 35. Portrait -- No. 36. The sketch -- No. 37. Mirrors -- No. 38. Printmaking -- No. 39. Chiaroscuro -- No. 40. Anatomy -- No. 41. Still life -- No. 42. Copying -- No. 43. Canvas -- No. 44. Camera obscura -- No. 45. Reinventing Greek art -- No. 46. Landscape -- No. 47. Series -- No. 48. Collections -- No. 49. History painting -- No. 50. Whiteness -- No. 51. Academies -- No. 52. Romanticism -- No. 53. Authenticity -- No. 54. The artist -- No. 55. Watercolor -- No. 56. Confronting reality -- No. 57. Medievalism -- No. 58. Dealing -- No. 59. Capturing the instant --

No. 60. Assemblage

No. 61. Commercial design

No. 62. Paint in tubes

No. 63. Photography

No. 64. Art colonies

No. 65. Artificial light

No. 66. The unconscious

No. 67. The primitive

No. 68. Multiple viewpoints

No. 69. Collage

No. 70. Machine forms

No. 71. Abstract art

No. 72. Satire

No. 73. Found objects

No. 74. Kinetic art

No. 75. Scenes of daily life

No. 76. Installation

No. 77. Expressing inner states

No. 78. Plastics

No. 79. Protest

No. 80. Documentary

No. 81. Chance

No. 82. Shock

No. 83. Welding

No. 84. Pop

No. 85. Less is more

No. 86. Opticality

No. 87. Hallucinogens

No. 88. Performance art

No. 89. Personal is political

No. 90. Moving images

No. 91. Conceptual art

No. 92. Titles

No. 93. Body as medium

No. 94. Street art

No. 95. Globalization

No. 96. Digital technology

No. 97. Museum

No. 98. Negative space

No. 99. The internet

No. 100. Ephemerality

Glossary

Acknowledgments.